from Vigilant Citizen:
An urban opera called “La porte des ténèbres” (“The Gates of Hell”) featured gigantic machines rolling around the streets of Toulouse. Replete with Satanic symbolism, the event had deep ritualistic undertones that caused religious leaders of the city to protest against it. Here’s a look at this bizarre event.
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In July, Paris hosted the opening ceremony of the Olympic games, which had less to do with sports and more with celebrating outright evil. A few months later, another French city decided to host a massive event that turned its streets into an outdoor Satanic temple. Titled “La Porte des Ténèbres” (“The Gates of Hell”), the festival featured massive machines moving around the city and interacting with each other. While the idea sounds cool, there’s a catch: The machines represent demons, and the entire story is wholly Satanic.
The prologue of this “urban opera” highlights the ritualistic undertones of its story.
“Driven from the Garden of the Hesperides, Lilith, the scorpion woman, has found refuge in the depths of the Earth. Freed by Hades, king of the underworld, she wanders from city to city in search of damned souls to increase her followers and her power. (…) Assembling prodigious signs, she attempts to open a passageway to the beyond.”
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