Lady Gaga’s 2025 Coachella Performance Was Nothing Less Than a Satanic Megaritual

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from Vigilant Citizen:

Lady Gaga’s performance at Coachella 2025 was lengthy, theatrical, and infused with powerful symbolism. More importantly, it was imbued with a spiritual meaning that turned the music festival into a full-on megaritual.

Considered one of the “coolest” festivals in the world, Coachella is a yearly event where pop music and fashionable people converge for a weekend of partying. Of course, Lady Gaga is a natural fit in this environment, and over 100,000 people made sure to be in attendance for her live performance.

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While Gaga had already performed at the festival in 2017, nobody truly expected what she had in store for this year’s edition: a nearly two-hour-long theatrical show with props, visual effects, massive sets, and pyrotechnics. It was big, elaborate, and meticulously choreographed to tell a story—but not any kind of story. It was a ritual drama, the kind enacted in occult secret societies during initiation ceremonies.

And it was blatantly satanic. It was so satanic that even the state-owned BBC had to acknowledge this fact.

Fans swarmed to catch the Poker Face singer perform songs from her new album Mayhem, delivering a visual spectacle by opening her set with what can only be described as a satanic ritual to her 2011 song Bloody Mary.
– BBC, Stars mingle in Coachella audience as Lady Gaga wows festivalgoers

Divided into four acts, Gaga’s performance strung together her biggest hits and songs from her most recent album Mayhem in a way that fit the overarching narrative of death and rebirth. Of course, it was highly ritualistic and heavy with spiritual meaning.

Here’s a look at this intense performance.

Abracadabra

Gaga’s performance began with the show’s two main characters facing each other while reciting the same poem.

The lady on the left is named Mahem, aka the Mistress. She’s a demonic figure symbolically dressed in red –  the color of initiation, sacrifice, and transformation in occultism. Mayhem faces Gaga, dressed in white, representing the purity of the uninitiated candidate.

If you’ve read previous articles on this site, you already know where this is going. The overarching narrative and the color codes used in this performance are a recurrent theme in the music industry, and Lady Gaga is one of the pop stars who brought this occult-inspired symbolism to the mainstream.

After the intro, Gaga appears in a gigantic red dress and gets into “worshipful mode.” Who is she worshipping? Take a guess.

This is the part the BBC said “it can only be described as Satanic.” Gaga performs Bloody Mary, a song in which she plays the role of Jesus’ girlfriend Mary Magdalene. Yes, it is blasphemous, like many other songs in her repertoire.

In the first part of the show, Gaga plays the role of Mayhem. Underneath her gigantic dress, poor souls are trapped behind bars. Behind her are Masonic pillars – the gateway to the spiritual realm.

At this point, Gaga (as Mayhem) performs Abracadabra, a song with a deep occult meaning. In an interview, Gaga even stated that the song “contained a spell inside.” This symbolic song marks the beginning of a magical ceremony. Or is it a Black Mass where Christianity as a way to praise Satan?

Case in point, Gaga’s next song is Judas, in which she sings:

In the most Biblical sense, I am beyond repentanceFame hooker, prostitute, wench vomits her mind

(…)

I wanna love youBut something’s pulling me away from youJesus is my virtueAnd Judas is the demon I cling to

Dressed with a black veil and holding a red quill, the Mistress signs a mysterious parchment. Considering the occult and satanic context of everything until now, we can safely assume that she’s signing a deal with the devil.

After a few songs performed by the Mistress, this theatrical play introduces a new character.

Lady Gaga makes her entrance dressed in white.

At this point, the two characters perform Poker Face, Lady Gaga’s first major hit, emphasizing that this white-clad character is a pure, innocent newcomer.

Gaga in white and the Mistress in black battle it out on a giant chessboard.

Everything about the scene above points directly to the most crucial concept in occultism: Duality.

In Freemasonry, all rituals and transformative ceremonies occur on a dualistic floor. This is the inspiration for Gaga’s performance.

The battle between Gaga and Mayhem ends with a clear winner.

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