by Donald Jeffries, ”I Protest”:
America 2.0 goes full ghetto
The recent Super Bowl between the Philadelphia Eagles and Kansas City Chiefs wasn’t fixed for the Chiefs. This surprised millions of “normies” who had become increasingly vocal about the favorable calls the Chiefs have received all season from the refs. But the Super Bowl did plant a giant exclamation point on our Idiocracy.
The NFL, being the completely criminal enterprise it is, baited gamblers in to betting on the Chiefs. These naive fans assumed that the referees would rig the Super Bowl so that Patrick Mahomes, the least “real” Black high profile figure since Tiger Woods, would become the first quarterback to win three straight Super Bowls. The incurably White Tom Brady never did that. But instead it was an Eagles rout. I wonder which team the fixers bet on? Gamblers never learn, and the myriad of enticing betting options, which can be placed very simply on your “smart” phone, only makes the problem worse.
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Without all this easy access to gambling, and fantasy football, the NFL would draw the same kind of interest that professional bowling does. The level of play is putrid, hitting has been all but outlawed, and the game is 90 percent Black now. Even old fashioned crooked White referees are being phased out.
So we were all denied the chance to see Taylor Swift celebrating. But what really made this game memorable was the halftime show. The Super Bowl halftime show has become a cultural event in and of itself, as have the very expensive commercials. At Super Bowl parties, wives and girlfriends will invariably ask “is it halftime yet?” In the past, the NFL attempted to book genuine big names, like Tom Petty, the Rolling Stones, or Paul McCartney, as the halftime act. No longer. Eminem, who hardly qualifies as White, was the last pale skinned headliner on Super Bowl Sunday. This year, the NFL dug its heels down as far as they could go into the DEI mud, and hired rapper Kendrick Lamar to perform at halftime. Lamar is primarily known only to the ghetto world, and the young, self-hating cucks who support anything nonwhite. He’s short, chubby, and totally lacking in charisma. And talent. That used to be essential for any musical artist. He just half hopped (hip hopped?) around the stage.
Lamar’s cringeworthy “lyrics” were almost totally indecipherable. Certainly, no one in the overwhelmingly White crowd was singing along. Well, more accurately rapping along. Lamar represented the NFL’s venture into total Blackness. Maximum ghetto. Warp speed stupidity. He was surrounded by “dancers” that also half/hip hopped around, and every one of them was Black, too. There was a shocking lack of diversity on that stage. It was like watching a Tarzan movie, without Tarzan. Or any African big game. Samuel Jackson, Jr., playing the anti-Morgan Freeman role, was dressed up as Uncle Sam. Kind of like two time murderer Don King waving the flag. He joked the performance was “too loud, too reckless, too ghetto,” indicating that this is the way White America viewed it. In other words, the way any civilized person would view it. Civilization is “White.” Being loud and obnoxious is cool. Skill and talent are racist.
Lamar’s hit song, which is unknown to 99 percent of White America, is “Not Like Us.” Ostensibly a “dis” at fellow rapper Drake, who is half Jewish and hardly “real” enough for gangsta rap, it’s also a celebration of segregation. “You not like us,” with its standard adherence to improper grammar, is proclaiming that others (non-Blacks) are not like those in the ghetto, or the multi-millionaires that pose as thugs while living in gated mansions. Well, of course, that stands to reason. I don’t know anyone that goes “wilding,” a unique kind of evil social activity that may end with firing a gun randomly and perhaps killing a toddler. Keeping it real. The people I know don’t wear their pants purposefully hanging low, exposing their underwear to the world. They don’t scoff at reading. They don’t try to provoke others by playing their music aggressively loud, cursing in public, or taking forever to cross a street.
Low class behavior has never been celebrated before, by any society. The British never promoted their Cockney underclass, and lovingly mimicked them. Only America 2.0 has taken the most objectionable “culture” the world has ever seen, and placed it on a pedestal. Given huge recording contracts to “rappers” who essentially “dis” other thugs and boast like unhinged preschoolers. Who give themselves the most uncreative stage names imaginable. What self-respecting adult would call themselves Snoop Dogg, or ‘Lil Romeo, without embarrassment? It is a “culture” that has resulted in generational crime and poverty, fatherless homes, and untold numbers of Blacks killing each other. It is a “culture” that glorifies ignorance. As Chris Rock said in a moment of candor, it’s a love affair with “not knowing shit.” We have at least sixty years of historical data demonstrating what a disastrous failure this “culture” has been.
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