from Vigilant Citizen:
Kendrick Lamar’s album “To Pimp a Butterfly” is meant to be listened to from beginning to end. It tells a poignant story about Kendrick entering the music business and discovering the ugly truth behind it.
Warning: This article contains explicit lyrics.
Kendrick Lamar’s first album Good Kid, M.A.A.D City was a critical and commercial success that skyrocketed the rapper’s career into super-stardom. In addition to featuring crowd-pleasing singles such as B*tch, Don’t Kill My Vibe, the album captivated music purists with an intricate story that unfolded throughout the opus.
Lamar’s second album, To Pimp a Butterfly, loosely follows the same formula, but with an added level of creative madness. The album is more intense, more bizarre, more profound and more controversial. In fact, To Pimp a Butterfly might very well be one of the most complex albums in rap history. Each song is characterized by its own distinctive concept and, on a larger scale, all the songs are interconnected by a wider narrative that revolves around Kendrick becoming a celebrity in a system owned by “Uncle Sam” and ruled by the “evils of Lucy” (a personification of Lucifer).
Let’s look at the story told throughout the album.
Pimping the Butterfly
The album begins with Wesley’s Theory, a bizarre song that introduces the overarching theme of the album: The “pimping” of artists by the establishment (personified by Uncle Sam). The first verse is written from the perspective of an unsigned rapper who is excited to join the music industry.
When I get signed, homie, I’mma act a fool
Hit the dance floor, strobe lights in the room
Snatch your little secretary b*tch for the homies
Blue-eyed devil with a fat ass, smokin’
I’mma buy a brand new Caddy on fours
Trunk the hood up, two times, deuce-four
Platinum on everythin’, platinum on weddin’ ring
Married to the game and a bad b*tch chose
In the second verse, Uncle Sam responds:
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